History of the Art of the Day of the Dead
History of a tradition...
Dia de Los Muertos Origins
Dia de Los Muertos, which coincides with All Saints' and All Souls' Mean solar day is a Mexican vacation now observed throughout the world. The commemoration centers upon remembering friends and family members who accept passed away, allowing the dead to live on through the memories of the living.
On Dia de los Muertos, the dead are supposed to awakened from their eternal rest to share remembrance with their loved ones between October 31st through November 2nd. Most believe the gates of heaven are opened at midnight on Oct 31st, and the spirits of all deceased children (angelitos) reunite with their families for the twenty-four hour period. On Nov 2d, adult spirits return to relish the festivities.
Homes, cemeteries, and public spaces await spiritual visitation. Traditions include gravesite ornament with gifts, flowers and possessions, construction of sculptures, paintings, and individual or public altars honoring the deceased with marigolds, sugar skulls, notes, photos and favorite foods of the departed.
Life & Death
Dia de los Muertos, a deep and ancient tradition...
Mesoamerican Origins
The origins of Dia De los Muertos tin be traced back 2500 – 3000 years to the Aztec Festival dedicated to the goddess known as Mictecacihuatl "The Lady of the Dead," which fell on the 9th month of the Aztec calendar during the corn harvest. Mesoamerican civilizations viewed death as the continuation of life. Instead of fearing death, they embraced it. To them, life was a dream and only in death did they become truly awake.
There were two ceremonies valued over and above all rituals of death throughout the 18 months of the Aztec agenda twelvemonth. The 1st fell in the ninth month Mic-cailhuitontli that meant, "minor feast of the dead," the second took place during the following month, Hueymiccaihuitl, meaning the "great feast of the dead".
ART INSTALLATIONS
Join usa for the presentation of Dia de Los Muertos inspired m sculpture art installations in downtown Scottsdale
1000 SKULLS (Art Installation)
Mesoamerican inspired sculptured skulls will be on brandish and pay homage to our dearly departed. The well-nigh familiar symbol of Dia de Los Muertos are calacas and calaveras (skeletons and skulls), which announced everywhere during the holiday. Pre-Columbian civilizations excelled in stone sculptures and created striking carvings of their gods. The skull symbolized death and rebirth. Sixteen individually sculpted skulls will be on display in honor of the ancient celebratory observances related to Dia de Los Muertos. Each sculptured skull will showcase the piece of work of a featured artists interpretation and tribute to this ancient observance.
Till Expiry do us Part (Art Installation)
A wedding scene tribute installation jubilant the father of Mexico's mod Dia de Los Muertos celebrations José Guadalupe Posada (Art Installation)
This classic wedding chapel romantic skeleton folk-fine art scene is commonly presented in decorative Mexican glass boxes. Jose Guadalupe Posada utilized Dia de Los Muertos imagery in this format considering it symbolized eternal beloved and his ongoing fascination with the elegant skull known as the Catrina. This installation celebrates and reminds us that all loving relationships, much like the recyclable fabric utilized in its design, will last a lifetime and the spirits of the expressionless are always with us.
The bride and groom and all decorative elements are designed with a recycling witting and artistically minded approach. All materials used in this installation are from re-purposed plastics.
Inspiration for this installation was derived from Posadas illustrations, "El gran panteón amoroso" (The large cemetery of lovers), "La calavera de Cupido" (Calavera of Cupid, which relates to theme of love) and "La calavera catrina" (The calavera of the fashionable lady).
Quetzalcóatl Chantry Temple (Art Installation)
Quetzalcóatl is the name of an of import Mesoamerican deity whose origins can be traced dorsum to the city of Teotihuacán. Quetzalcóatl, god of air and wisdom appears most often as the "plumed serpent.'" Quetzalcóatl who was linked to dawn and the morning star Venus symbolized death and resurrection. As the god of learning, writing and of books Quetzalcóatl the patron of all Aztec priests was considered the originator of activities on globe, creating the land calendar divisions. The feathered serpent temple was defended to the concept of fourth dimension and was busy with plumed serpents carved in stone with their heads emerging out of the petals of a flower. This Temple Altar will be defended to Mesoamerican traditions that formed the origins of the celebratory traditions observed throughout Oaxaca and Southern Mexico.
Las Calaveritas (Fine art Installation)
The about familiar symbols of Dia de los Muertos are calacas and calaveras (skeletons and skulls), which appear everywhere during the holiday: in candied sweets, equally parade masks, and as sculpture art. The skull symbolized expiry and rebirth. Sugar skulls date dorsum to the Colonial Menstruum 18th century. Sugar skulls represented a departed soul, had the proper noun written on the brow and was placed on the habitation ofrendas or gravestone to honor the return of a detail spirit. This ii-dimensional art installation will feature x Scottsdale artist paying tribute to the classic and about recognized Dia de Los Muertos symbol with a creative interpretation of the Sugar Skull.
Quetzalcóatl Double Headed Serpent (Fine art Installations)
Quetzalcóatl is the name of an important Mesoamerican deity whose origins can be traced back to the urban center of Teotihuacán. Quetzalcóatl, god of air and wisdom appears most oftentimes equally the "plumed serpent and was linked to dawn and the morning time star Venus which symbolized death and resurrection. Every bit the god of learning, writing and of books Quetzalcóatl was considered the originator of activities on world. Everything in the universe, according to the Aztecs, had its balancing double, the other half of a perfect duality.
Journey to Mictlán (Art Installations)
Lord of the Land of Death & Tribute to the Zapotec Golden representation of Mictlantecuhtli (Art Installations)
"The iv elements... globe, wind, fire, h2o are fundamental to our offerings."
LORE Media & Arts
The Offerings
ALTAR OFFERINGS
Bring together us for the presentation of Dia de los Muertos Altar Installations in Onetime Town Scottsdale, at the Quondam Adobe Mission
Dia De Los Muertos revolves around ofrendas, or offerings, which are created through a visual display of altar-making and grave decorating. The offerings, a primary focal point of the celebration, echo the dedication and distinct beloved that is presented toward the dearly departed. The altar includes the four primary elements of nature – Earth, Current of air, Water and Burn.
Earth
is represented by the crop: The soul is fed by the various earthly aromas. Placing fruit or favorite family dishes on the altar provides nourishment for the love souls.
WIND
is represented past a moving object: Paper- Mache is commonly utilized to represent the echoes of the wind.
Burn down
is represented by a wax candle: Each lit candle represents a loving soul, and an extra one is placed for the forgotten soul.
WATER
is placed in a container for the soul to quench its thirst later the long awaited journey to the altar. Water is also used for the means of purification.
AZTEC MARIGOLDS
or Cempasuchitl, known as "The flower of the dead" blossoms in the valleys of United mexican states during the months of Oct and November with a vivid yellowish color and is central to altar decorating. This flower aids the spirits to wander dorsum.
COPAL INCENSE
is an of import formalism resin long used in Central America and Mexico every bit a sacred incense by the Aztecs and Mayans. It comes from the torchwood tree family, and it is burned during Dia de los Muertos to honor Pre-Columbian cultures.
Source: https://www.scottsdalediadelosmuertos.com/art-and-origins